This version contains a sample of the Black Eyed Peas' 2004 single " Hey Mama". In 2006, Mendes again re-recorded the song, this time with American musical group the Black Eyed Peas and additional vocals by Mendes' wife, Gracinha Leporace, for his album Timeless. Single by Sérgio Mendes featuring the Black Eyed Peas In 1989, Mendes re-recorded the song on his album Arara. Outside of Brazil this 1966 version is better known than Jorge Ben's original and, to many, the definitive version of the song. In the United States, the single reached number 47 on the US Billboard Hot 100, and number four on the Billboard Easy Listening chart. Sérgio Mendes covered the song with his band Brasil '66 on their debut album, Herb Alpert Presents Sergio Mendes & Brasil '66 (1966). Tam.! (1958, Polydor Brasil – LPNG 4.016), which features the underlying melody and vocalizations later used by Jorge Ben in "Mas que Nada" these motifs would be further highlighted by Sergio Mendes’ arrangement in his version of the song in 1966. In 1958, Brazilian artist José Prates recorded a track called "Nanã Imborô" that appears on his album Tam. With many recordings, the title song is incorrectly written Mais que nada (Portuguese for "more than nothing") which would fundamentally alter its meaning, and would be the equivalent to the Spanish expression más que nada, which means "more than anything", or "above all", and is used in the sense of "mainly" or "principally". A fitting English translation might be a sarcastic "Yeah, right!" or "No way!" Title meaning īrazilians use Mas que nada (in a literal translation: just nothing) colloquially to disagree with someone. It was inducted to the Latin Grammy Hall of Fame in 2013. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. " Mas que Nada" ( Portuguese pronunciation: ) is a song written and originally recorded in 1963 by Jorge Ben (currently known as Jorge Ben Jor) on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs.
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